A pesar de ser famosa por su modernidad y haber cambiado el concepto del diseño, la Bauhaus también tuvo sus días oscuros: muchas mujeres llegaron demasiado pronto, antes de que en 1923 el radical Laszlo Moholy-Nagy entrara a formar parte de la escuela y se abriera el campo de las libertades a tod@s l@s estudiantes independientemente de su sexo. Interesante artículo del New York Times «Female Pioneers of the Bauhaus«.
Despite being famous for its modernity and changed the design concept, the Bauhaus also had its dark days: many women came too soon, after in 1923 the radical Laszlo Moholy-Nagy became part of the school and opened the field of freedom to everyone regardless of gender. Interesting article in the New York Times «Female Pioneers of the Bauhaus«
Despite being famous for its modernity and changed the design concept, the Bauhaus also had its dark days: many women came too soon, after in 1923 the radical Laszlo Moholy-Nagy became part of the school and opened the field of freedom to everyone regardless of gender. Interesting article in the New York Times «Female Pioneers of the Bauhaus«
El caso de Gertrud Arndt que Alice Rawsthorn relata en su artículo es flagrante: accedió a la Bauhaus para estudiar arquitectura y acabó convirtiéndose en una gran fotógrafa, después de haber sido empujada a estudiar «artes más indicadas» para mujeres como tejido o cerámica.
Gertrud Arndt‘s case that Alice Rawsthorn writes in his article is blatant: she joined the Bauhaus to study architecture and eventually became a great photographer, after being pushed to study «arts best suited» to women as tissue or ceramic.
Para saber más / To learn more about:
Autorretratos de Gertrud Arndt
francesca alminyana 